Leonardo da Vinci and the search for order in neuroscience.

Finding order in disorder is a hallmark of science and art. In the time of Leonardo da Vinci, the schism between science and art had yet to arise. In fact, Leonardo freely used scientific methods for his art and vice versa; for example, when he used his observations of turbulent, whirling water to guide his artistic imagination.

Human cortical activity evoked by the assignment of authenticity when viewing works of art.

The expertise of others is a major social influence on our everyday decisions and actions. Many viewers of art, whether expert or naïve, are convinced that the full esthetic appreciation of an artwork depends upon the assurance that the work is genuine rather than fake. Rembrandt portraits provide an interesting image set for testing this idea, as there is a large number of them and recent scholarship has determined that quite a few fakes and copies exist.

Style and non-style in anatomical illustration: From Renaissance Humanism to Henry Gray.

Style is a familiar category for the analysis of art. It is less so in the history of anatomical illustration. The great Renaissance and Baroque picture books of anatomy illustrated with stylish woodcuts and engravings, such as those by Charles Estienne, Andreas Vesalius and Govard Bidloo, showed figures in dramatic action in keeping with philosophical and theological ideas about human nature.

Anti-androgens increase N-terminal pro-BNP levels in men with prostate cancer.

Objective: The aim of this study was to determine the effects of anti-androgens on left ventricular (LV) function and levels of N-terminal proB-type natriuretic peptide (NT-proBNP), a sensitive cardiac risk marker, in men with prostate cancer as these are widely used drugs in this condition, and evidence suggests that endogenous androgens are cardioprotective in men.

Design And Patients: Forty-three men (mean age 70.7 +/- 6.

The Mona Lisa of modern science.

No molecule in the history of science has reached the iconic status of the double helix of DNA. Its image has been imprinted on all aspects of society, from science, art, music, cinema, architecture and advertising. This review of the Mona Lisa of science examines the evolution of its form at the hands of both science and art.

Hearts and minds: Agency and discourse on distress.

This paper is based on ethnographic fieldwork in south Bristol, United Kingdom, and on the south Atlantic island of St Helena. It addresses the relationship between the experience of psychosocial distress, the language used to express such distress and the socio-cultural constraints on both language and experience. Accounts of emotional distress were obtained from interviews with 36 informants in south Bristol and with 40 informants on St Helena.