Non-magnitude sources of bias on duration judgements for blank intervals: conceptual relatedness of interval markers reduces subjective interval duration.

We report three experiments in which the events flanking a temporal interval were either related or unrelated, based on overlap in the letter identity of single letters (Experiment 1), in the conceptual congruency of color words and colored rectangles (Experiment 2), or in the conceptual congruency of sentence stems and their terminal words (Experiment 3). In all cases, we observed a bias for participants to judge the duration of temporal intervals as shorter when the flanking events were related. We draw an analogy between these temporal judgement distortions and those reported elsewhere (Alards-Tomalin et al.

Richardson's ground squirrel (Urocitellus richardsonii) alarm call receivers experience an auditory continuity illusion.

Auditory continuity illusions are perceptual illusions in which receivers perceive an auditory signal as continuous when part of the signal has been removed or obfuscated by a louder noise. Richardson's ground squirrels (Urocitellus richardsonii) communicate alarm acoustically in noisy natural settings. Thus, we tested whether they experience an auditory continuity illusion by presenting free-living squirrels with repeated whistle alarm calls within which every second syllable remained unmanipulated, was partially obfuscated by relatively brief (25 ms) bursts of white noise, or partially obfuscated by longer duration (100 ms) white noise bursts.

Dual-task interference effects on cross-modal numerical order and sound intensity judgments: the more the louder?

In the current study, cross-task interactions between number order and sound intensity judgments were assessed using a dual-task paradigm. Participants first categorized numerical sequences composed of Arabic digits as either ordered (ascending, descending) or non-ordered. Following each number sequence, participants then had to judge the intensity level of a target sound.

Numerical Context and Time Perception: Contrast Effects and the Perceived Duration of Numbers.

In the current study, we examined how the contextual repetition of magnitude information presented in either symbolic (Arabic digits) or nonsymbolic (numerosities) formats impacted on the perceived duration of a later occurring target number. The results of the current study demonstrated a time-magnitude bias in which, on average, large magnitude target numbers were judged to last for longer durations relative to small magnitude target numbers, regardless of notation (symbolic number and numerosity). Furthermore, context effects were found, in which a greater discrepancy in the target's magnitude from the initial context led to longer perceived duration ratings.

Is 9 louder than 1? Audiovisual cross-modal interactions between number magnitude and judged sound loudness.

The cross-modal impact of number magnitude (i.e. Arabic digits) on perceived sound loudness was examined.

The effects of numerical magnitude, size, and color saturation on perceived interval duration.

The relative magnitude (or intensity) of an event can have direct implications on timing estimation. Previous studies have found that greater magnitude stimuli are often reported as longer in duration than lesser magnitudes, including Arabic digits (Xuan, Zhang, He, & Chen, 2007). One explanation for these findings is that different quantitative dimensions (size, intensity, number) are processed and represented according to a common analog magnitude system (Walsh, 2003).

Examining auditory kappa effects through manipulating intensity differences between sequential tones.

The auditory kappa effect is a tendency to base the perceived duration of an inter-onset interval (IOI) separating two sequentially presented sounds on the degree of relative pitch distance separating them. Previous research has found that the degree of frequency discrepancy between tones extends the subjective duration of the IOI. In Experiment 1, auditory kappa effects for sound intensity were tested using a three-tone, AXB paradigm (where the intensity of tone X was shifted to be closer to either Tone A or B).