Final-note expectancy and humor: an empirical investigation.

Background: Melodic expectations were manipulated to investigate the nature of tonally incongruent melodic final notes that may elicit humor in listeners. To our knowledge, this is the first experiment aiming at studying humor elicitation in music with the use of empirical, quantitative methods. To this aim, we have based the experiment on the incongruency/resolution theory of humor and the violations of expectations in music.

Straightness as the main factor of the hErmann grid illusion.

The generally accepted explanation of the Hermann grid illusion is Baumgartner's hypothesis that the illusory effect is generated by the response of retinal ganglion cells with concentric ON-OFF or OFF-ON receptive fields. To challenge this explanation, we have introduced some simple distortions to the grid lines which make the illusion disappear totally, while all preconditions of Baumgartner's hypothesis remain unchanged. To analyse the behaviour of the new versions of the grid, we carried out psychophysical experiments, in which we measured the distortion tolerance: the level of distortion at which the illusion disappears at a given type of distortion for a given subject.