Hue and luminance contrast are basic visual features. Here we use multivariate analyses of magnetoencephalography data to investigate the timing of the neural computations that extract them, and whether they depend on common neural circuits. We show that hue and luminance-contrast polarity can be decoded from MEG data and, with lower accuracy, both features can be decoded across changes in the other feature.
View Article and Find Full Text PDFThe geometry that describes the relationship among colors, and the neural mechanisms that support color vision, are unsettled. Here, we use multivariate analyses of measurements of brain activity obtained with magnetoencephalography to reverse-engineer a geometry of the neural representation of color space. The analyses depend upon determining similarity relationships among the spatial patterns of neural responses to different colors and assessing how these relationships change in time.
View Article and Find Full Text PDFWe experience our visual environment as a seamless, immersive panorama. Yet, each view is discrete and fleeting, separated by expansive eye movements and discontinuous views of our spatial surroundings. How are discrete views of a panoramic environment knit together into a broad, unified memory representation? Regions of the brain's "scene network" are well poised to integrate retinal input and memory [1]: they are visually driven [2, 3] but also densely interconnected with memory structures in the medial temporal lobe [4].
View Article and Find Full Text PDFThe lateral geniculate nucleus is thought to represent color using two populations of cone-opponent neurons [L vs M; S vs (L + M)], which establish the cardinal directions in color space (reddish vs cyan; lavender vs lime). How is this representation transformed to bring about color perception? Prior work implicates populations of glob cells in posterior inferior temporal cortex (PIT; the V4 complex), but the correspondence between the neural representation of color in PIT/V4 complex and the organization of perceptual color space is unclear. We compared color-tuning data for populations of glob cells and interglob cells to predictions obtained using models that varied in the color-tuning narrowness of the cells, and the color preference distribution across the populations.
View Article and Find Full Text PDFThe objective of this study was to identify key features differentiating multiple system atrophy cerebellar type (MSA-C) from idiopathic late-onset cerebellar ataxia (ILOCA). We reviewed records of patients seen in the Massachusetts General Hospital Ataxia Unit between 1992 and 2013 with consensus criteria diagnoses of MSA-C or ILOCA. Twelve patients had definite MSA-C, 53 had possible/probable MSA-C, and 12 had ILOCA.
View Article and Find Full Text PDF'The dress' is a peculiar photograph: by themselves the dress' pixels are brown and blue, colors associated with natural illuminants, but popular accounts (#TheDress) suggest the dress appears either white/gold or blue/black. Could the purported categorical perception arise because the original social-media question was an alternative-forced-choice? In a free-response survey (N = 1401), we found that most people, including those naïve to the image, reported white/gold or blue/black, but some said blue/brown. Reports of white/gold over blue/black were higher among older people and women.
View Article and Find Full Text PDFMultiple system atrophy (MSA) is a late-onset, sporadic neurodegenerative disorder clinically characterized by autonomic failure and either poorly levodopa-responsive parkinsonism or cerebellar ataxia. It is neuropathologically defined by widespread and abundant central nervous system α-synuclein-positive glial cytoplasmic inclusions and striatonigral and/or olivopontocerebellar neurodegeneration. There are two clinical subtypes of MSA distinguished by the predominant motor features: the parkinsonian variant (MSA-P) and the cerebellar variant (MSA-C).
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