Experimental investigation of dynamic lingual organ pipes with blown open tongue.

This paper presents the experimental examination of an alternative lingual organ pipe construction that uses a free tongue which, in contrast with traditional lingual organ pipes, operates in a blown open manner. A possible advantage of the construction is that it can enable changing the windchest pressure and thus, achieving an extended dynamic range while keeping a constant pitch. Three experimental pipes with diverse resonator shapes are investigated in various setups.

Simulation of mallet percussion instruments by a coupled modal vibroacoustic finite element model.

A three-dimensional coupled vibroacoustic finite element model for physics-based simulations of the sound generation by mallet percussion instruments in the time domain is discussed in the present paper. The mechanical model takes the orthotropic material properties of the wooden sound bars and the nonlinear nature of the interaction force between the mallet head and the sound bar into account while the acoustical model considers radiation into an unbounded domain. A direct coupling of the sound bars, acoustical cavity resonators, and the excitation by a mallet is considered with exploiting the modal basis to reduce the number of degrees of freedom of the system.

Examination of the reflection properties of sloping terminations to organ pipes.

The sound characteristics of both labial and lingual organ pipes are affected to a great extent by the reflection properties of the resonators. In this paper, the reflection properties of sloped pipe terminations are examined and the possible applications in organ building practice are investigated. Sloped shallots of reed organ pipes with different termination angles are of particular interest in this study.

A finite element model of the tuning slot of labial organ pipes.

An acoustic model suitable for the characterization of tuning slots of labial organ pipes is presented in this paper. Since the tuning slot arrangement is similar (but not identical) to that of toneholes in woodwind instruments, the adaptability of the well-established tonehole model for the specific problem is examined. A numerical model utilizing the finite element (FE) and perfectly matched layer techniques is set up for the simulation of tuning slots with design parameters varying over a wide range.

Acoustic behavior of tuning slots of labial organ pipes.

The effect of tuning slots on the sound characteristics of labial organ pipes is investigated in this paper by means of laboratory experiments. Besides changing the pitch of the pipe, the tuning slot also plays an important role in forming the timbre. The objectives of this contribution are to document the influence of tuning slots built with different geometries on the pipe sound and to validate the observed tendencies by means of reproducible experiments.

Sound design of chimney pipes by optimization of their resonators.

An optimization method, based on an acoustic waveguide model of chimney and resonator, was developed and tested by laboratory measurements of experimental chimney pipes. The dimensions of the chimney pipes are modified by the optimization algorithm until the specified fundamental frequency is achieved, and a predetermined harmonic partial overlaps with an eigenfrequency of the pipe. The experimental pipes were dimensioned by the optimization method for four different scenarios and were built by an organ builder.

The influence of pipe organ reed curvature on tone quality.

Although organ flue pipes have been widely studied, the same claim cannot be made for pipe organ reed stops. Given certain design constraints, such as the type of reed stop being voiced and the desired tone quality, the reed voicer must use consummate skill to curve the reed tongue so as to produce the best and most stable tone as well as to guarantee that each pipe blends with its neighbors. The amount and type of curve given to a reed tongue influences not only the harmonic structure of the steady-state sound but also the attack.

Roughness of organ pipe sound due to frequency comb.

In the sound spectrum of flue organ pipes in addition to the usual harmonic partials, sometimes a series of equidistant but not harmonic lines can be found. This phenomenon has been observed in the recorded sound of pipes from different pipe ranks. The second set of spectral lines is similar to "frequency combs" used in optics for accurate measurement of optical frequencies.

Experimental jet velocity and edge tone investigations on a foot model of an organ pipe.

In order to investigate the physical processes involved in the build-up of the sound signal in a labial organ pipe a pipe foot model has been developed. The main important parameters, such as positions of the lower and upper lips, the wind pressure in the pipe foot, and the width of the flue, can be adjusted by means of this model. Moreover, different types of languids and pipe bodies (resonators) can be attached to the model.

Reed vibration in lingual organ pipes without the resonators.

Vibrations of plucked and blown reeds of lingual organ pipes without the resonators have been investigated. Three rather surprising phenomena are observed: the frequency of the reed plucked by hand is shifted upwards for large-amplitude plucking, the blown frequency is significantly higher than the plucked one, and peaks halfway between the harmonics of the fundamental frequency appear in the spectrum of the reed velocity. The dependence of the plucked frequency on the length of the reed reveals that the vibrating length at small vibrations is 3 mm shorter than the apparent free length.