Non-metric distance judgements are influenced by image projection geometry and field of view.

Despite its mathematical simplicity and ubiquity in imaging technology, there has long been doubt about the ability of linear perspective to best represent human visual space, especially at wide-angle fields of view under natural viewing conditions. We investigated whether changes to image geometry had an impact on participants' performance, specifically in terms of non-metric distance estimates. Our multidisciplinary research team developed a new open-source image database to study distance perception in images by systematically manipulating target distance, field of view, and image projection using non-linear natural perspective projections.

Titles and Semantic Violations Affect Eye Movements When Viewing Contemporary Paintings.

The role of titles in perception of visual art is a topic of interesting discussions that brings together artists, curators, and researchers. Titles provide contextual cues and guide perception. They can be particularly useful when paintings include semantic violations that make them challenging for viewers, especially viewers lacking expert knowledge.

Perceived cognitive challenge predicts eye movements while viewing contemporary paintings.

Contemporary art is often challenging for the viewer, especially when it violates classic rules of representation. Also, viewers usually have little knowledge about this type of art, making its reception even more difficult. Our main research question was how the cognitive challenge associated with contemporary art affects eye movement.

From "Einfühlung" to empathy: exploring the relationship between aesthetic and interpersonal experience.

Is there a relationship between aesthetic and interpersonal experience? This question is motivated not only by the fact that historically experiences of both kinds have often been accounted for in terms of "empathy", the English translation of the German term "Einfühlung", but also by the fact that some contemporary theories refer to mechanisms underlying both aesthetic and interpersonal experience. In this Editorial introducing the special section titled "From 'Einfühlung' to empathy: exploring the relationship between aesthetic and interpersonal experience", we briefly sketch these two motivations and the relationship between the different mechanisms that have been associated with both aesthetic and interpersonal experience.

Intersection of reality and fiction in art perception: pictorial space, body sway and mental imagery.

Background: The thesis of embodied cognition claims that perception of the environment entails a complex set of multisensory processes which forms a basis for the agent's potential and immediate actions. However, in the case of artworks, an agent becomes an observer and action turns into a reaction. This raises questions about the presence of embodied or situated cognition involved in art reception.