Standoff Mid-Infrared Emissive Imaging Spectroscopy for Identification and Mapping of Materials in Polychrome Objects.

Microscale mid-infrared (mid-IR) imaging spectroscopy is used for the mapping of chemical functional groups. The extension to macroscale imaging requires that either the mid-IR radiation reflected off or that emitted by the object be greater than the radiation from the thermal background. Reflectance spectra can be obtained using an active IR source to increase the amount of radiation reflected off the object, but rapid heating of greater than 4 °C can occur, which is a problem for paintings.

Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy.

In situ chemical imaging techniques are being developed to provide information on the spatial distribution of artists' pigments used in polychrome works of art such as paintings. The new methods include reflectance imaging spectroscopy and X-ray fluorescence mapping. Results from these new methods have extended the knowledge obtained from site-specific chemical analyses widely in use.

Visible and infrared imaging spectroscopy of Picasso's Harlequin musician: mapping and identification of artist materials in situ.

Reflection imaging spectroscopy is a useful technique to remotely identify and map minerals and vegetation. Here we report on the mapping and identification of artists' materials in paintings using this method. Visible and infrared image cubes of Picasso's Harlequin Musician are collected using two hyperspectral cameras and combined into a single cube having 260 bands (441 to 1680 nm) and processed using convex geometry algorithms.