In the fine arts, impressions found on terracotta sculptures in museum collections are scarcely reported and not in a systematic manner. Here, we present a procedure for scanning fingermarks and toolmarks found on the visible surface and inner walls of a terracotta sculpture using 3D micro-computed tomography, as well as methods for quantitatively characterizing these impressions. We apply our pipeline on the terracotta sculpture , attributed to Laurent Delvaux and housed in the Rijksmuseum collection.
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