Towards a Techno-Hauntological Aesthetic: Immiscible Time and the Spiritual Imagination in (Shishenji, 2019) by Huang Hsin-Chien.

This article discusses and explores acclaimed new media artist Huang Hsin-Chien's virtual reality (VR) experience (Shishenji, 2019). In this film, through the process of the body illusion or the body replacement program, a component specific to VR, viewers embody the soul of a political prisoner deceased during Taiwan's martial law era. juxtaposes Taiwan's traditional spiritual traditions with references to the Ghost Festival () and includes a dystopic vision of the future that appears towards the end of the film.