Deciphering the Chemistry of Cultural Heritage: Targeting Material Properties by Coupling Spectral Imaging with Image Analysis.

The chemical study of materials from natural history and cultural heritage, which provide information for art history, archeology, or paleontology, presents a series of specific challenges. The complexity of these ancient and historical materials, which are chemically heterogeneous, the product of alteration processes, and inherently not reproducible, is a major obstacle to a thorough understanding of their making and long-term behavior (e.g.

[Synchrotron-based characterization methods applied to ancient materials (I)].

This article aims at presenting the first results of a transdisciplinary research programme in heritage sciences. Based on the growing use and on the potentialities of micro- and nano-characterization synchrotron-based methods to study ancient materials (archaeology, palaeontology, cultural heritage, past environments), this contribution will identify and test conceptual and methodological elements of convergence between physicochemical and historical sciences.

[Expertise and construction of artistic value (14(th) to 15 (th) centuries)].

Working from a body of Tuscan commission contracts from the 14(th) and 15(th) centuries, this article shows how painting was the object of concrete evaluative practices among professional painters before becoming the subject of discussion for scholars and humanists. This study rests on the legal and economic analysis of clauses of expertise by which painters and commissioners submitted the work to other painters in order to guarantee the proper execution of the contract, thus constituting an essential evaluative measure for the economy of painting.

[The ladder game. An international history].

The book Jeux d'echelles. La microanalyse a l'expérience, which appeard in 1996 under the direction of Jacques Revel, was translated in Italy in 2006 by the Viella editions under the title Giochi di scala. La microstoria alla prova dell'esperienza.