Enabling 3D CT-scanning of cultural heritage objects using only in-house 2D X-ray equipment in museums.

Visualizing the internal structure of museum objects is a crucial step in acquiring knowledge about the origin, state, and composition of cultural heritage artifacts. Among the most powerful techniques for exposing the interior of museum objects is computed tomography (CT), a technique that computationally forms a 3D image using hundreds of radiographs acquired in a full circular range. However, the lack of affordable and versatile CT equipment in museums, combined with the challenge of transporting precious collection objects, currently keeps this technique out of reach for most cultural heritage applications.

Artist profiling using micro-CT scanning of a Rijksmuseum terracotta sculpture.

In the fine arts, impressions found on terracotta sculptures in museum collections are scarcely reported and not in a systematic manner. Here, we present a procedure for scanning fingermarks and toolmarks found on the visible surface and inner walls of a terracotta sculpture using 3D micro-computed tomography, as well as methods for quantitatively characterizing these impressions. We apply our pipeline on the terracotta sculpture , attributed to Laurent Delvaux and housed in the Rijksmuseum collection.

Time-dependent variation of lead isotopes of lead white in 17th century Dutch paintings.

This study investigates how lead isotopes in lead white pigment can be used as an additional diagnostic tool to constrain the production time of 17th century Dutch paintings. Analysis of 77 well-dated paintings from 27 different Dutch artists reveal significant change in the source of lead used in lead white at the start, middle, and end of the 17th century. Isotopic shifts are related to major historical and socioeconomical events such as the English Civil War and Anglo-Dutch-French conflicts.

X-ray computed tomography for non-invasive dendrochronology reveals a concealed double panelling on a painting from Rubens' studio.

Dating the wood from historical art objects is a crucial step to ascertain their production time, and support or refute attribution to an artist or a workshop. Dendrochronology is commonly used for this purpose but requires access to the tree-ring pattern in the wood, which can be hindered by preparatory layers, polychromy, wax, or integrated frames. Here we implemented non-invasive dendrochronology based on X-ray computed tomography (CT) to examine a painting on panel attributed to Rubens' studio and its presumed dating around 1636 CE.

A novel method for dendrochronology of large historical wooden objects using line trajectory X-ray tomography.

Dendrochronology is an essential tool to determine the date and provenance of wood from historical art objects. As standard methods to access the tree rings are invasive, X-ray computed tomography (CT) has been proposed for non-invasive dendrochronological investigation. While traditional CT can provide clear images of the inner structure of wooden objects, it requires their full rotation, imposing strong limitations on the size of the object.

Mapping the mechanical properties of paintings via nanoindentation: a new approach for cultural heritage studies.

A comprehensive understanding of the behaviour of the heterogenous layers within the paint stratigraphies in historical paintings is crucial to evaluate their long term stability. We aim to refine nanoindentation as a new tool to investigate the mechanical behaviour of historical oil paints, by adapting the probes and the protocol already used in biomechanical research on soft tissues. The depth-controlled indentation profile performed with a spherical probe provides an evaluation of the non-linear viscoelastic behaviour of the individual layers in paint at local scale.