The use of both naturally occurring and synthetic pigmented wood has been prevalent in woodcraft for centuries. Modern manifestations generally involve either woodworkers' aniline dyes, or pigments derived from a special class of fungi known as spalting fungi. While fungal pigments are more renewable than anilines and pose less of an environmental risk, the carrier required for these pigments-dichloromethane (DCM)-is both problematic for humans and tends to only deposit the pigments on the surface of wood instead of evenly within the material.
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