Publications by authors named "D Talkin"

Several questions pertaining to pitch raising recur frequently. Does the larynx rise with the production of higher frequencies? What happens to the pharyngeal walls between the soft palate and the larynx when the fundamental frequency is raised? How does the soft palate participate in pitch raising? To answer these questions, the present study was undertaken with the recently described simultaneous velolaryngeal endoscopy technique. Nine professional singers were asked to find the limits of their vocal range in any of six voice qualities: speech, falsetto, cry/sob, twang, belting, and opera.

View Article and Find Full Text PDF

The use of cues to voicing perception of initial stop consonants in multiple spoken syllables was studied for moderately/severely hearing-impaired (n = 43) and normal-hearing listeners (n = 12). The test stimuli were ten utterances each of the syllables/baed, gaed, daed, paed, kaed, taed/. The utterances were analyzed acoustically to confirm the presence of certain cues to initial-stop voicing, namely, differences in voice onset time (VOT), aspiration, and vowel-onset values of the first formant and of fundamental frequency (fo).

View Article and Find Full Text PDF

Voicing perception for final stops was studied for impaired- and for normal-hearing listeners when cues in naturally spoken syllables were progressively neutralized. The syllables were ten different utterances of /daep, daek, daet, daeb, daeg, daed/ spoken in random order by a male. The cue modifications consisted progressively of neutralized vowel duration, equalized occlusion duration, burst deletion, murmur deletion, vowel-transition interchange, and transition deletion.

View Article and Find Full Text PDF

Simulation of glottal volume flow and vocal fold tissue movement was accomplished by numerical solution of a time-dependent boundary value problem, in which nonuniform, orthotropic, linear, incompressible vocal fold tissue media were surrounded by irregularly shaped boundaries, which were either fixed or subject to aerodynamic stresses. Spatial nonuniformity of the tissues was of the layered type, including a mucosal layer, a ligamental layer, and muscular layers. Orthotropy was required to stabilized the vocal folds longitudinally and to accomodate large variations in muscular stress.

View Article and Find Full Text PDF