Publications by authors named "Christine D Tsang"

Previous studies have reported visual motion aftereffects (MAEs) following prolonged exposure to auditory stimuli depicting motion, such as ascending or descending musical scales. The role of attention in modulating these cross-modal MAEs, however, remains unclear. The present study manipulated the level of attention directed to musical scales depicting motion and assessed subsequent changes in MAE strength.

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Discriminating temporal relationships in speech is crucial for speech and language development. However, temporal variation of vowels is difficult to perceive for young infants when it is determined by surrounding speech sounds. Using a familiarization-discrimination paradigm, we show that English-learning 6- to 9-month-olds are capable of discriminating non-native acoustic vowel duration differences that systematically vary with subsequent consonantal durations.

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In their everyday communication, parents do not only speak but also sing with their infants. However, it remains unclear whether infants' can discriminate speech from song or prefer one over the other. The present study examined the ability of 6- to 10-month-old infants (N = 66) from English-speaking households in London, Ontario, Canada to discriminate between auditory stimuli of native Russian-speaking and native English-speaking mothers speaking or singing to their infants.

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Caregivers around the world sing to their infants. Infants not only prefer to listen to infant-directed singing over adult-directed singing, but infant-directed singing also serves a function, communicating affective information to preverbal infants to aid in adjusting arousal levels. Pitch variation has previously been identified as one performance feature that may help to convey the message.

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Preverbal infants are attuned to the different emotional messages contained in playsongs and lullabies. However, it is unclear which performance properties of singing underlie infants' perception of the communicative intent of infant-directed singing. Volkova, Trehub, and Schellenberg (2006) recently demonstrated that 6- and 7-month-old infants preferred low-pitched to high-pitched renditions of lullabies, suggesting that pitch may be one performance characteristic that conveys the communicative intent in infant-directed singing.

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We show that infants' long-term memory representations for melodies are not just reduced to the structural features of relative pitches and durations, but contain surface or performance tempo- and timbre-specific information. Using a head turn preference procedure, we found that after a one week exposure to an old English folk song, infants preferred to listen to a novel folk song, indicating that they remembered the familiarized melody. However, if the tempo (25% faster or slower) or instrument timbre (harp vs.

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