Publications by authors named "C Vergez"

This study investigates the role of localized nonlinear losses in the register hole of a clarinet in producing second-register notes. First, an experiment is conducted to study the ability of the opening of a register hole to trigger a jump in oscillatory regime from the first to the second register. A cylindrical tube is drilled with holes of increasing diameter: five at the register hole level and five at the thumb hole level of a B-flat clarinet.

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When playing a self-sustained reed instrument (such as the clarinet), initial acoustical transients (at the beginning of a note) are known to be of crucial importance. Nevertheless, they have been mostly overlooked in the literature on musical instruments. We investigate here the dynamic behavior of a simple model of reed instrument with a time-varying blowing pressure accounting for attack transients performed by the musician.

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The objective of this work is to estimate by inverse problem lip parameters values of trumpet model so that the oscillation thresholds for successive playing registers occur for the same blowing pressure as the one measured on several trumpet players. The lips vibration is modeled through an oscillator including unknown parameters such as resonance frequency, quality factor, surface mass, stiffness, and opening at rest of the lips. The oscillation threshold is calculated through linear stability analysis of the outward-striking model including the nonlinear coupling with the bore of the trumpet.

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Woodwind tonehole's linear behavior is characterized by two complex quantities: the series and shunt acoustic impedances. A method to determine experimentally these two quantities is presented for the case of open toneholes. It is based on two input impedance measurements.

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Self-sustained musical instruments are complex nonlinear dynamical systems that are known to produce a wealth of dynamical regimes. This includes different kinds of non-periodic sounds, which are either played on purpose or avoided depending on the cultural and musical context. We investigate non-periodic sounds produced by two types of flute-like instruments, namely, an alto recorder and traditional pan-like flutes from Central Chile.

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