Closed letter counters impair recognition.

An often-repeated piece of advice when choosing fonts for great legibility is to use fonts with large counters and apertures. To identify effects of open and closed apertures on the letters 'a', 'c', 'e', 'r', 's', 't' and 'f', we ran an experiment using the serif font Pyke as stimulus. The letters in focus were designed for this experiment with three variations of open apertures (Open, Medium and Closed).

Fonts of wider letter shapes improve letter recognition in parafovea and periphery.

Most text on modern electronic displays is set in fonts of regular letter width. Little is known about whether this is the optimal font width for letter recognition. We tested three variants of the font family Helvetica Neue (Condensed, Standard, and Extended).

High letter stroke contrast impairs letter recognition of bold fonts.

To make graphical user interfaces look more fashionable, designers often make use of high-stroke-contrast fonts. We are yet to understand how these fonts affect reading. We examined the effect of letter-stroke contrast on three bold fonts, one with extreme contrast between thick and thin strokes, one with no contrast, and one in between.

Smaller visual angles show greater benefit of letter boldness than larger visual angles.

Research has shown that fonts viewed at a smaller visual angle benefit from greater letter boldness. Since small and large visual angles operate on different spatial frequencies, we examined whether the effect was dependent on font size. By applying a paradigm of single-letter exposure across two experiments, we showed that fonts of thinner letter strokes and of extreme boldness decreased recognition for all tested font sizes, and that there was a positive effect of boldness at small visual angles which did not occur at large visual angles.