Color and Spatial Frequency Provide Functional Signatures of Retinotopic Visual Areas.

Primate vision relies on retinotopically organized cortical parcels defined by representations of hemifield (upper versus lower visual field), eccentricity (fovea versus periphery), and area (V1, V2, V3, V4). Here we test for functional signatures of these organizing principles. We used fMRI to measure responses to gratings varying in spatial frequency, color, and saturation across retinotopically defined parcels in two macaque monkeys, and we developed a Sparse Supervised Embedding (SSE) analysis to identify stimulus features that best distinguish cortical parcels from each other.

The color of fruits in photographs and still life paintings.

Still life paintings comprise a wealth of data on visual perception. Prior work has shown that the color statistics of objects show a marked bias for warm colors. Here, we ask about the relative chromatic contrast of these object-associated colors compared with background colors in still life paintings.

Concepts Are Restructured During Language Contact: The Birth of Blue and Other Color Concepts in Tsimane'-Spanish Bilinguals.

Words and the concepts they represent vary across languages. Here we ask if mother-tongue concepts are altered by learning a second language. What happens when speakers of Tsimane', a language with few consensus color terms, learn Bolivian Spanish, a language with more terms? Three possibilities arise: Concepts in Tsimane' may remain unaffected, or they may be remapped, either by Tsimane' terms taking on new meanings or by borrowing Bolivian-Spanish terms.

Color appearance and the end of Hering's Opponent-Colors Theory.

Hering's Opponent-Colors Theory has been central to understanding color appearance for 150 years. It aims to explain the phenomenology of colors with two linked propositions. First, a psychological hypothesis stipulates that any color is described necessarily and sufficiently by the extent to which it appears reddish-versus-greenish, bluish-versus-yellowish, and blackish-versus-whitish.

Temporal dynamics of the neural representation of hue and luminance polarity.

Hue and luminance contrast are basic visual features. Here we use multivariate analyses of magnetoencephalography data to investigate the timing of the neural computations that extract them, and whether they depend on common neural circuits. We show that hue and luminance-contrast polarity can be decoded from MEG data and, with lower accuracy, both features can be decoded across changes in the other feature.

Colors.

Bevil Conway introduces colors.

Color vision.

Color is a fundamental aspect of normal visual experience. This chapter provides an overview of the role of color in human behavior, a survey of current knowledge regarding the genetic, retinal, and neural mechanisms that enable color vision, and a review of inherited and acquired defects of color vision including a discussion of diagnostic tests.

Color Tuning of Face-Selective Neurons in Macaque Inferior Temporal Cortex.

What role does color play in the neural representation of complex shapes? We approached the question by measuring color responses of face-selective neurons, using fMRI-guided microelectrode recording of the middle and anterior face patches of inferior temporal cortex (IT) in rhesus macaques. Face-selective cells responded weakly to pure color (equiluminant) photographs of faces. But many of the cells nonetheless showed a bias for warm colors when assessed using images that preserved the luminance contrast relationships of the original photographs.

Color Space Geometry Uncovered with Magnetoencephalography.

The geometry that describes the relationship among colors, and the neural mechanisms that support color vision, are unsettled. Here, we use multivariate analyses of measurements of brain activity obtained with magnetoencephalography to reverse-engineer a geometry of the neural representation of color space. The analyses depend upon determining similarity relationships among the spatial patterns of neural responses to different colors and assessing how these relationships change in time.

Communication efficiency of color naming across languages provides a new framework for the evolution of color terms.

Languages vary in their number of color terms. A widely accepted theory proposes that languages evolve, acquiring color terms in a stereotyped sequence. This theory, by Berlin and Kay (BK), is supported by analyzing best exemplars ("focal colors") of basic color terms in the World Color Survey (WCS) of 110 languages.

Paradoxical impact of memory on color appearance of faces.

What is color vision for? Here we compared the extent to which memory modulates color appearance of objects and faces. Participants matched the colors of stimuli illuminated by low-pressure sodium light, which renders scenes monochromatic. Matches for fruit were not predicted by stimulus identity.

Divergence in the functional organization of human and macaque auditory cortex revealed by fMRI responses to harmonic tones.

We report a difference between humans and macaque monkeys in the functional organization of cortical regions implicated in pitch perception. Humans but not macaques showed regions with a strong preference for harmonic sounds compared to noise, measured with both synthetic tones and macaque vocalizations. In contrast, frequency-selective tonotopic maps were similar between the two species.

Visual stimulus-driven functional organization of macaque prefrontal cortex.

The extent to which the major subdivisions of prefrontal cortex (PFC) can be functionally partitioned is unclear. In approaching the question, it is often assumed that the organization is task dependent. Here we use fMRI to show that PFC can respond in a task-independent way, and we leverage these responses to uncover a stimulus-driven functional organization.

Color statistics of objects, and color tuning of object cortex in macaque monkey.

We hypothesized that the parts of scenes identified by human observers as "objects" show distinct color properties from backgrounds, and that the brain uses this information towards object recognition. To test this hypothesis, we examined the color statistics of naturally and artificially colored objects and backgrounds in a database of over 20,000 images annotated with object labels. Objects tended to be warmer colored (L-cone response > M-cone response) and more saturated compared to backgrounds.

The Organization and Operation of Inferior Temporal Cortex.

Inferior temporal cortex (IT) is a key part of the ventral visual pathway implicated in object, face, and scene perception. But how does IT work? Here, I describe an organizational scheme that marries form and function and provides a framework for future research. The scheme consists of a series of stages arranged along the posterior-anterior axis of IT, defined by anatomical connections and functional responses.

A tour of contemporary color vision research.

The study of color vision encompasses many disciplines, including art, biochemistry, biophysics, brain imaging, cognitive neuroscience, color preferences, colorimetry, computer modelling, design, electrophysiology, language and cognition, molecular genetics, neuroscience, physiological optics, psychophysics and physiological optics. Coupled with the elusive nature of the subjective experience of color, this wide range of disciplines makes the study of color as challenging as it is fascinating. This overview of the special issue Color: Cone Opponency and Beyond outlines the state of the science of color, and points to some of the many questions that remain to be answered in this exciting field.

#TheDress: Categorical perception of an ambiguous color image.

We present a full analysis of data from our preliminary report (Lafer-Sousa, Hermann, & Conway, 2015) and test whether #TheDress image is multistable. A multistable image must give rise to more than one mutually exclusive percept, typically within single individuals. Clustering algorithms of color-matching data showed that the dress was seen categorically, as white/gold (W/G) or blue/black (B/K), with a blue/brown transition state.

Color naming across languages reflects color use.

What determines how languages categorize colors? We analyzed results of the World Color Survey (WCS) of 110 languages to show that despite gross differences across languages, communication of chromatic chips is always better for warm colors (yellows/reds) than cool colors (blues/greens). We present an analysis of color statistics in a large databank of natural images curated by human observers for salient objects and show that objects tend to have warm rather than cool colors. These results suggest that the cross-linguistic similarity in color-naming efficiency reflects colors of universal usefulness and provide an account of a principle (color use) that governs how color categories come about.

Representation of Perceptual Color Space in Macaque Posterior Inferior Temporal Cortex (the V4 Complex).

The lateral geniculate nucleus is thought to represent color using two populations of cone-opponent neurons [L vs M; S vs (L + M)], which establish the cardinal directions in color space (reddish vs cyan; lavender vs lime). How is this representation transformed to bring about color perception? Prior work implicates populations of glob cells in posterior inferior temporal cortex (PIT; the V4 complex), but the correspondence between the neural representation of color in PIT/V4 complex and the organization of perceptual color space is unclear. We compared color-tuning data for populations of glob cells and interglob cells to predictions obtained using models that varied in the color-tuning narrowness of the cells, and the color preference distribution across the populations.

Color-Biased Regions of the Ventral Visual Pathway Lie between Face- and Place-Selective Regions in Humans, as in Macaques.

Unlabelled: The existence of color-processing regions in the human ventral visual pathway (VVP) has long been known from patient and imaging studies, but their location in the cortex relative to other regions, their selectivity for color compared with other properties (shape and object category), and their relationship to color-processing regions found in nonhuman primates remain unclear. We addressed these questions by scanning 13 subjects with fMRI while they viewed two versions of movie clips (colored, achromatic) of five different object classes (faces, scenes, bodies, objects, scrambled objects). We identified regions in each subject that were selective for color, faces, places, and object shape, and measured responses within these regions to the 10 conditions in independently acquired data.