"And Then It Spreads": contagion and disease as metaphors of sociomoral contamination in Charles Burns' graphic novel .

This article attempts to demonstrate how Charles Burns' graphic novel (1995) construes the prevalence of contagion and pathological transformation(s) as metaphors of social contamination operating within a biopolitics of segregation. Through a study of plague, infection and strange mutations in Burns' novel, this article offers a critical evaluation of the and investigates how portrays the social reception of a sexually contagious virus through conditions of sickness and exclusion, which become biopolitical in quality. It examines, through close reading, how Burns' novel uses metaphors of contagion, abjection and desire, often fusing those in order to foreground the complex intercorporeal state of the and in the process dramatises the urgent need to revaluate conventional strategies of isolation and otherisation through a reconsideration of the biopolitical notions around engagement, community and immunity.

'These were made-to-order babies': Reterritorialised Kinship, Neoliberal Eugenics and Artificial Reproductive Technology in Kishwar Desai's .

This essay examines Kishwar Desai's (2012) in order to foreground how the novel is complexly reflective of the biomedical technologies strategically deployed by medical practitioners and prospective parents for the purpose of reinforcing caste-based bionormative notion of family that artificial reproductive technology is assumed to have problematised. The essay also demonstrates how the use of bioenhancement facilities has led to the revival of neoliberal eugenics enmeshed with state-led biopolitics. The essay draws on the concept of discussed by Tamar Sharon in order to examine how the schizophrenic or deterritorialising potential of reproductive technology is reconfigured and domesticated by the medicolegal practitioners in order to reterritorialise the normative structures of kinship and family formation within a capitalist consumerist culture.

Embodiment and Entangled Subjectivity: A Study of Robin Cook's Coma, Priscille Sibley's The Promise of Stardust and Alexander Beliaev's Professor Dowell's Head.

The essay examines Robin Cook's (1977) Coma and Priscille Sibley's (2013) The Promise of Stardust that dramatize the reified and disposable status of the brain-dead patients who are classified as nonpersons. The essay argues that the man-machine entanglement as depicted in the novels constructs a deterritorialized and entangled form of subjectivity that intervenes in the dominant biomedical understanding of personhood and agency that we notionally associate with a conscious mind. The essay concludes its arguments by discussing Alexander Beliaev's (1925) Professor Dowell's Head which depicts human subjectivity as an essentially embodied and distributive phenomenon and interrogates the Cartesian mind body dualism embedded in the dominant biomedical narratives.