Pupil dilation responds to the intrinsic social characteristics of affective touch.

Affective Touch is characterized by both emotional and arousing dimensions that rely on specific features of a gentle human caress. In this study, we investigated whether and how both the nature of the touching effector (Human hand vs. Artificial hand) and touch type (Dynamic vs.

Musical Interaction Reveals Music as Embodied Language.

Life and social sciences often focus on the social nature of music (and language alike). In biology, for example, the three main evolutionary hypotheses about music (i.e.

Entrainment beyond embodiment.

Mutual adaptive timing (MAT), the capacity to adapt one's timing to the timing of a partner, is a form of interpersonal entrainment necessary to play music in ensemble. To this respect, two questions can be advanced. First, whether MAT can be seen also in non-musician populations.

Decreased motor cortex excitability mirrors own hand disembodiment during the rubber hand illusion.

During the rubber hand illusion (RHI), subjects experience an artificial hand as part of their own body, while the real hand is subject to a sort of 'disembodiment'. Can this altered belief about the body also affect physiological mechanisms involved in body-ownership, such as motor control? Here we ask whether the excitability of the motor pathways to the real (disembodied) hand are affected by the illusion. Our results show that the amplitude of the motor-evoked potentials recorded from the real hand is significantly reduced, with respect to baseline, when subjects in the synchronous (but not in the asynchronous) condition experience the fake hand as their own.